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The Age of Enlightenment of the 18th century, also called the Age of Reason, was so named for an intellectual movement that shook the foundations of Western civilization. In championing radical ideas such as individual liberty and an empirical appraisal of the universe through rational inquiry and natural experience, Enlightenment philosophers in Europe and America planted the seeds for modern liberalism, cultural humanism, science and technology, and laissez-faire Capitalism. This volume brings together works from this era, with more than 100 selections from a range of sources. It includes examples by Kant, Diderot, Voltaire, Newton, Rousseau, Locke, Franklin, Jefferson, Madison, and Paine that demonstrate the pervasive impact of Enlightenment views on philosophy and epistemology as well as on political, social, and economic institutions.

A breakout novel is one that rises out if its category – such as literary fiction, mystery, romance, or thriller – and hits the bestseller charts. Maass explains the elements that all breakout novels share and shows readers how to use these elements to write a novel that has a good chance of succeeding in a crowded marketplace. They’ll learn to: – Create a powerful and sweeping sense of time and place – Develop larger-than-life characters – Sustain a high degree of narrative tension from start to finish – Weave sub-plots into the main action – Explore universal themes that will interest a large audience

As charming performers who skillfully reflect their parents expectations, far too many children grow into adults driven to greater and greater achievements by an underlying sense of worthlessness. Never allowed to express their true feelings, and having lost touch with their true selves, they act out their repressed feelings with episodes of depression and compulsive behavior. They in turn inflict the same legacy of repression on their own children.

This poignant and thought-provoking book shows how narcissistic parents form and deform the lives of their children. The Drama of the Gifted Child is the first step toward helping readers reclaim their lives by discovering their own needs and their own truth.

Sixteen-year-old Mattie Gokey has big dreams but little hope of seeing them come true. Desperate for money, she takes a job at the Glenmore, where hotel guest Grace Brown entrusts her with the task of burning a secret bundle of letters. But when Grace’s drowned body is fished from the lake, Mattie discovers that the letters could reveal the grim truth behind a murder.

Set in 1906 against the backdrop of the murder that inspired Theodore Dreiser’s An American Tragedy, Jennifer Donnelly’s astonishing debut novel effortlessly weaves romance, history, and a murder mystery into something moving, and real, and wholly original.

Includes a reader’s guide and an interview with the author.

The Grinch, whose heart is two sizes too small, hates Who-ville’s holiday celebrations, and plans to steal all the presents to prevent Christmas from coming. To his amazement, Christmas comes anyway, and the Grinch discovers the true meaning of the holiday.

Winner of the 1998 Pulitzer Prize for Biography

An extraordinarily frank, honest, and generous book by one of America’s most famous and admired women, Personal History is, as its title suggests, a book composed of both personal memoir and history.

It is the story of Graham’s parents: the multimillionaire father who left private business and government service to buy and restore the down-and-out Washington Post, and the formidable, self-absorbed mother who was more interested in her political and charity work, and her passionate friendships with men like Thomas Mann and Adlai Stevenson, than in her children.

It is the story of how The Washington Post struggled to succeed — a fascinating and instructive business history as told from the inside (the paper has been run by Graham herself, her father, her husband, and now her son).

It is the story of Phil Graham — Kay’s brilliant, charismatic husband (he clerked for two Supreme Court justices) — whose plunge into manic-depression, betrayal, and eventual suicide is movingly and charitably recounted.

Best of all, it is the story of Kay Graham herself. She was brought up in a family of great wealth, yet she learned and understood nothing about money. She is half-Jewish, yet — incredibly — remained unaware of it for many years.She describes herself as having been naive and awkward, yet intelligent and energetic. She married a man she worshipped, and he fascinated and educated her, and then, in his illness, turned from her and abused her. This destruction of her confidence and happiness is a drama in itself, followed by the even more intense drama of her new life as the head of a great newspaper and a great company, a famous (and even feared) woman in her own right. Hers is a life that came into its own with a vengeance — a success story on every level.

Graham’s book is populated with a cast of fascinating characters, from fifty years of presidents (and their wives), to Steichen, Brancusi, Felix Frankfurter, Warren Buffett (her great advisor and protector), Robert McNamara, George Schultz (her regular tennis partner), and, of course, the great names from the Post: Woodward, Bernstein, and Graham’s editorpartner, Ben Bradlee. She writes of them, and of the most dramatic moments of her stewardship of the Post (including the Pentagon Papers, Watergate, and the pressmen’s strike), with acuity, humor, and good judgment. Her book is about learning by doing, about growing and growing up, about Washington, and about a woman liberated by both circumstance and her own great strengths.

First published in 1987 by Fortress Press, this 20th anniversary edition of this classic bestseller includes a new Afterword from the author. Here, in narrative form, is an account of the activity of Jesus of Nazareth, scrupulously constructed so that it does not undercut the insights of New Testament scholarship. What makes it different from other such attempts is that Jesus never actually appears. What we find everywhere is his shadow, his effect.

Such an approach avoids the usual pitfalls of the genre and lends this story – attributed to a fictitious narrator – an attraction, freshness, and power all its own. Tension and interest are maintained to the end, even for those sated with books about Jesus. Careful documentation in the footnotes shows how much of the narrative is based on ancient sources.

A dramatization in verse of the murder of Thomas Becket at Canterbury. “The theatre as well as the church is enriched by this poetic play of grave beauty and momentous decision” (New York Times). “Within its limits the play is a masterpiece…. Mr. Eliot has written no better poem than this and none which seems simpler” (Mark Van Doren, The Nation).